Continues playing at the Centro Cultural Correios exposure Candy Andreato, 50 Years, bringing together some of the major works produced by Paraná artist over five decades of career. The Shows bring works which marked the Golden phase of Brazilian popular music, the fight against dictatorship and the Brazilian Theatre.
With exclusive sponsorship of the post office, the exhibition can be visited in Rio de Janeiro until 29 November 2015. After, next to the Museum of the post office, in Brasília, and for the Cultural Centre Post Office, in São Paulo.
The show begins with a timeline chronicling the early works, performed even in times of worker, until the most recent productions, going through some of the most important chapters in the history of music, the theatre and politics in Brazil.
In the musical field, works made for some of the most important names of BRAZILIAN POPULAR MUSIC, Paulinho da Viola, Elis Regina, Martinho da Vila, Tom Zé, Chico Buarque, Adoniran Barbosa and Vinicius de Moraes, among others.
Multimedia stations, visitors can select and watch testimonials from the artist about performing some of his major works to the music: record covers, collections of fascicles, cultural projects.
Visitors can even sit around digital stations for listening to records that Candy Pack, from an application that renders the old record players, their characteristic hiss and his way of operation.
The work of the artist turned to the children's universe is also represented, highlighting a large-scale reproduction of the Ark and the little creatures that make up the memorable cover LP Noah's Ark, of Vinicius de Moraes. Children and adults can be put inside the cover, in a proposal expográfica deploying the plans of work, almost like in a pop-up book.
The same experience, navigating the Candy works, visitors have through the disks as Corner of the Washerwomen, of Martinho da Vila, and posters for Elis Regina and to play The Sun to the Mass of the Cowboy.
The contribution to the theatre WINS space also with playback of posters as Death of a salesman, by Arthur Miller, directed by Flávio Rangel; Dead Without Burial, Jean-Paul Sartre, directed by Fernando Peixoto; and Punch in tip of Knife, of Augusto Boal, directed by Paulo José.
The political action, especially during the military regime, has space with the reproduction of some of the work that illustrated the resistance to the dictatorship in the period, as covers for alternative publications who founded and directed: the newspapers Opinion and Movement and the magazine Argument.
As reports of crimes committed by military personnel are 25 of October (1981), that has flung on canvas the murder of journalist Vladimir Herzog in the premises of the DOI-CODI, and the majestic Panel The Fact that Late Yet (2012), commissioned by the Truth Commission of the Chamber, chaired by the federal Deputy Mayor Luiza Erundina.
The exhibition also brings a rare copy of the Black Book of military dictatorship, with the cover signed by artist, In addition to other valuable objects and reproductions to help retell the history of Candy Andreato and his commitment to the culture and history of the country.
ABOUT THE ARTIST
Candy Andreato was born in Paraná in 1946. The starting point of his career is 1965, When he abandoned the work of an apprentice lathe operator at the plant of Fiat Lux, in São Paulo, to take your first steps in his professional artistic career.
In the years 1960, in Editora Abril, participated in the creative team of countless magazines, booklets and collections, How to Score, See and history of Brazilian Popular Music. During the military regime, founded as alternative press organs, Argument and movement. Also began work as a programmer visual and stage designer for memorable plays.
Yet during this period, he excelled as a creator of album covers for the most important names of BRAZILIAN POPULAR MUSIC. Throughout his career, calculates it has produced around 400 works-anthology of covers virtually all the big names of our music.
From the years 1990, his work turned to the editorial area, becoming responsible for the historical collections MPB composers and history of Samba, both launched by Editora Globo, and by Brazil Almanac, monthly publication that circulates on flights of TAM.
In 2011, lifetime achievement, received the special award Vladimir Herzog, granted the people who stand out in defense of ethical and democratic values and human rights. The recognition, as well as the commandery of the order of Cultural Merit, join the many awards he has received throughout his career for his contributions to the country, either in the artistic field, political or social.
|Visitation: from 30 September to 29 November 2015|
Tuesday to Sunday, from 12:00 to 7:00 pm
|Cultural Center Post|
Rua Visconde de Itaboraí, 20 - Center
Rio de Janeiro – RJ
Schedule of guided tours:
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