Last week of the show "the nature of things-Pablo Lobato" playing at the Art Museum of the river-SEA

Exhibition ends season at the Museum, day 18 September, Sunday

Obra de Pablo Lobato. Foto: Divulgação.
Work of Pablo Lobato. Photo: Disclosure.

Those who have not had the opportunity to visit "the nature of things-Pablo Lobato", at the Art Museum of the river-SEA, you still have a chance to meet the first solo exhibition of Miner Pablo Lobato in the city, until day 18 September, Sunday. With about of 50 works, the show invites the audience to a reflection about the Constitution of things and images, paying attention to the eccentricities of their "nature". Are videos, photographs, facilities, objects and a publication that reflect the artist's desire to deal with the immanence and the experience of things in smaller States intervention and manipulation by the other, throwing a look that deconstructs streams, Dynamics and situations of everyday life to which we are accustomed. The proposed cuts – physical works, symbolic, politicians and space-time seeking "free senses".

For both, the artist discusses the ideas of themes, narratives or vocations of all. Pablo Lobato explores the language of movies without having the ambition of storytelling. Therefore, the intention is to bring the visitor experiences that lead to other forms of notice. In one of the works, the installation Expiry, the artist creates a kind of machine to expire (Unarchive and delete) images. Knowing that the scenes will cease to exist at the end of the display, the viewer has his ability to keen perception and, with it, It launches with greater radicalism to the experience of immanence – until only a single frame remains white and the reflection on the place of the image in the world.

Expanding this research field, Pablo presents STREET, search with photos documenting small arrangements created organically in the interstices of the days of the cities, without any type of intervention, as branches that pile up after rain to create natural facilities or ruins that are the result of time. To take ownership of these pre-existing situations instead of opting for defining gestures-and, sometimes, given the specific nature of matter authoritarian-, the set of images that make up questions the role of STREET artist and look, inviting the public to embark on this reflection through the publication of the same name to the project, as well as through a series of objects that derived. Objects that, based on cuts and approaches, present a new perspective that goes beyond the inside of things: They tense up and rearrange the planning world.

Finally, Pablo Lobato appropriates the concept of inframince, created by Marcel Duchamp, to force the visitor to not only deal with the faces that appear horizontally as the laterality of things, for less than they are – like a sheet of paper, for example. For this, in the series Frontlight, the artist and billboards from this angle, transforming large structures in simple beams of light.

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Curated by Clarissa Diniz, The nature of things-Pablo Lobato continues the exhibition program of the sea dedicated to artists whose work is little shown in Rio-São Paulo, from low institutionalization and market contexts, where, therefore, the artistic production is given as a cut in social logic. To mark the opening, Pablo Lobato and the curator of a Gallery talk on the day 26 April, Tuesday, às 11h. The exhibition is on until 18 September in the ground floor of the exhibition hall.

The Museu de Arte do Rio – MAR

The MAR is a space dedicated to art and visual culture. It occupies two buildings on praça Mauá: an eclectic style, which houses the Exhibition Hall; other modernist style, Look where the school's work. The architectural design unites the two buildings with a fluid concrete cover, which refers to a wave - a trademark of the museum -, and a ramp, where visitors come to the exhibition spaces.

An initiative of Prefeitura do Rio in partnership with Fundação Roberto Marinho, the sea has activities that involve collecting, registration, search, preservation and return of cultural property to the community. Proactive support space education and culture, the museum was born with a school - the School Look -, whose proposal is innovative museological: foster the development of an educational program of reference for actions in Brazil and abroad, combining art and education from the curatorial program that guides the institution.

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The sea is managed by the Odeon, a social organization of culture, selected by the Rio de Janeiro City Hall for public notice. The museum has the Globe Group as maintainer, the BNDES as exhibition supporter, the Ita as copatrocinador of Leopoldina, Princess of independence, of Arts and Sciences, and j. p.. Morgan as supporter body language carioca [the Vertigo of the river]. The School has the Fecomercio System look RJ, through the Sesc, institutional partner. It also has the support of Banco Votorantim and Grupo Libra as supporter of educational visits, and Accenture and the new River as supporters of the SEA at the Academy via Municipal law of incentive to culture. The project Sea of Music receives support from TIM via State law of incentive to culture and the Souza Cruz is the copatrocinadora Sunday at sea. It also has the support of the Government of the State of Rio de Janeiro, and implementation of the Ministry of culture and the Federal Government of Brazil through the Federal law of incentive to culture.

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Service

Entrance: R$ 10 The R $ 5 (half price) - People with up 21 years, private school students, university, disabled people and public servants of the city of Rio de Janeiro. The sea is part of the Carioca Program Pays Half, offering half price to locals and residents of the city of Rio de Janeiro in all cultural institutions linked to City Hall. Present a document proving (identity, proof of residence, water bills, light, pay phone with, tops, three months of issue) and remove your ticket at the box office. Payment by cash or card (Visa or Mastercard).

Single Ticket: R$ 16 – R$ 8 (half price) locals and residents in Rio de Janeiro, on presentation of supporting documentation or proof of residence. Supporting documents will be considered those that contain the birthplace, such as RG, driver's license, portfolio of work, Passport etc.. Will be considered proof of residence titles of collection with a maximum 3 (three) months of issue, as water services, light, landline or natural gas, duly accompanied by official document of identification with photo (RG, driver's license, portfolio of work, Passport etc.) of the user.

Policy free: Pay no entry-on presentation of evidentiary documentation – students from public (teaching elementary and middle), children up to five years or people from 60, public school teachers, employees of museums, groups in situations of social vulnerability educational visit, Neighbors of the sea and tourist guides. Tuesdays admission is free to the general public. On Sunday admission is free for holders of Museums Passport Cariocas you still don't have the stamp of the SEA. On the last Sunday of the month the Museum has free entry into all through the project Sunday at sea.

Tuesday to Sunday, das 10h às 17h. On Mondays the museum closes to the public. For more info, contact by phone (55 21) 3031-2741 or visit www.museudeartedorio.org.br.

Address: Praca Maua, 5 - Center.

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