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Tag Archives: MAS / SP

Chico da Silva, without title, 1983 – OST – 145x184 cm. Photo: Disclosure.

Chico da Silva: Sacred Connection, Global vision

The universe of fantastic beings from imaginary visions The Sacred Art Museum of São Paulo – MAS/SP, institution of the Department of Culture and Economy of the State of São Paulo Creative, presents the exhibition “Chico da Silva: Sacred Connection, ...

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Exhibition "A People United by Faith", by photographers Victor Siladi and Edwin Rosário. Photo: Disclosure.

A People United by Faith || MAS/Subway Room – Tiradentes Station

A PEOPLE UNITED BY FAITH The transcendence of the meeting of two civilizations Museu de Arte Sacra de São Paulo – BUT / SP, institution of the Department of Culture and Economy of the State of São Paulo Creative, in partnership with Metro ...

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Exhibition "GIVE YOU", Retrato D. Pedro I, featured (private collection). Photo: Disclosure.

Museum of Sacred Art opens 'TE DEUM', celebrating the 200 years of independence

“Sacred song of thanksgiving for the visit of the Prince Regent” Museum of Sacred Art of São Paulo – MAS/SP, institution of the Department of Culture and Economy of the State of São Paulo Creative, exhibits the exhibition “TE DEUM” in commemoration ...

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Artist: Efrain Almeida. Title: sad eyes (detail). Year: 2008. Technique: Umburana, table, oil and pyrography. Dimensions: Prato : 3 x 18 cm Ø Mesa: 66 x 50,5 x 50,5 cm. Photo: Disclosure.

Efrain Almeida opens 'The Sixth Day'’ at the Museum of Sacred Art of São Paulo

the sixth day …an aesthetic epiphany Museum of Sacred Art of São Paulo – MAS/SP, institution of the Department of Culture and Economy of the State of São Paulo Creative, presents the exhibition “The Sixth Day”, by the artist Efrain Almeida, under curation ...

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Author: ENIVO. Title: "Sao Paulo". Year: 2022. Technique: Oil, pastel, spray on canvas. Dimensions: 130x210cm. Photo: Disclosure.

Enivo - AFFECT

…also about what affects us At first sight, Father Júlio Lancellotti and graffiti artist Enivo may seem distant figures. They are not. Enivo, deep admirer of the priest, started to follow its performance more and more closely to create ...

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Leandro Junior, Widows Series, invitation - featured. Disclosure.

Leandro Junior opens solo exhibition at the Museum of Sacred Art – Widows of Living Husbands

Widows of Living Husbands strong women, autonomous, protagonists and independents Museum of Sacred Art of São Paulo – MAS / SP, institution of the Department of Culture and Economy of the State of São Paulo Creative, opens the exhibition “Widows of Living Husbands” by ...

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Livro "A saga desconhecida do SUDÁRIO DE CRISTO e de sua Igreja", book - cover, featured. Disclosure.

Flower photo created by lookstudio

generating the interest of architects and decorators to create more cozy and differentiated environments, institution of the Department of Culture and Economy of the State of São Paulo Creative, in partnership ...

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Madalena Marques Work. Photo: Disclosure.

MUSEUM OF SACRA ART OF SÃO PAULO DISPLAYS CHRISTMAS IN PAPIER-MÂCHÉ

…..an "old fashioned" exhibition. Museu de Arte Sacra de São Paulo – BUT / SP, institution of the Department of Culture and Economy of the State of São Paulo Creative, opens the exhibition “Boy was born – Natividade em Papel” ...

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Marriage of Our Lady and St. Joseph - Euro-Andean School (XVII century - XVIII). Photo: Disclosure.

Nativity-themed screens celebrate Christmas at MAS/SP

Museu de Arte Sacra de São Paulo – BUT / SP, institution of the Department of Culture and Economy of the State of São Paulo Creative, starts the actions that celebrate the end of the year festivities. in the showroom ...

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Author: Paulo Pasta. Title: without title. Year: 2020. Technique: oil s / screen. Dimensions: 50 x 60 cm. Photo: Disclosure.

Paulo Pasta: LIGHT || Museu de Arte Sacra de São Paulo

Paulo Pasta: LIGHT “The painting is good, for me, when it's silent” Museum of Sacred Art of São Paulo – BUT / SP, institution of the Department of Culture and Economy of the State of São Paulo Creative, opens “Paulo Pasta: Light", ...

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