“Thrivers” exhibition, Loula Metaxa, by Rosângela Vig

Figure 3 – Loula Metaxa.

Exposição “Thrivers”¹ Cada obra de Arte é filha da sua idade e, In so many cases, mother of our emotions. Each period of Culture produces its own Art that can never be repeated. Efforts to revive the artistic principles of the past will produce, at best, an art that is yet to be born. É-nos impossível viver eRead more

New Waves Painting Exhibition at the El Greco Museum, Greece, by Rosângela Vig

Figure 1 – Exhibition Banner, featured.

Nothing can heal the soul but the senses, just as nothing can heal the senses but the soul – this is one of the great secrets of life. (WILDE, 2006, p.14) Turning to emotions and senses is one of the main attributes of Art. Na busca do objeto artístico incluem-seRead more

Urban Landscape Exhibition, El Greco Museum – Greece, by Rosângela Vig

Fig. 5 - Dominika Sergey , Oxford printing, 100 x 70 cm, technique: collage.

Thus, the lover of universal life enters the crowd as if it appeared to him as a reservoir of electricity.. One can also compare it to a mirror as immense as this multitude.; to a kaleidoscope endowed with consciousness that, with each of your moves, represents the multiple life and the changing charm of all the elements … Read more

Allegory Exhibition by Marcin Jaszczak and Olga Pelipas at the El Greco Museum by Rosângela Vig

Allegory Exhibition by Marcin Jaszczak and Olga Pelipas at the El Greco Museum, banner - featured. Disclosure.

The end of a work of art seriously targeted, perfect for itself, logical, can be subordinated to the aesthetic purpose, at the end of beauty, like the products of eloquence. Here beauty serves as perfection. If the logical goal is merely imagined, then beauty dominates; thus there is nothing in obtaining the announced objective; … Read more

Exhibition "Conversations with the Cultures of the World" – El Greco Museum – Greece, by Rosângela Vig

Exhibition "Conversations with the Cultures of the World" – El Greco Museum – Greece, featured. Disclosure.

(…) Now, when the others are asleep, he is bent over his desk, casting the same look on a sheet of paper that he had just given to things, struggling with his pencil, his pen, his brush, throwing water from the glass, wiping the feather on his shirt, rushing, violent, active, such as … Read more

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